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I sat down to do some more tracing tonight and thought I’d talk to the voice recorder while I did it. Just a few reflections on what’s going on and how it all works for me. Beware of the false ending just before 33 minutes.
Download: Tracing (36MB)
Here’s the first frame that I refer to, I’ll post the animation when it’s finished.
Two things I notice about this group of posters at Epsom station:
1. The common use of Black, Red & White both between the dark fiction titles but also with an exhibition about Victoria & Albert – does this tell us anything about our attitude to Victorian times?
2. Why are these books so popular with suburban rail passengers? Or at least why are suburban rail passengers routinely targeted by the publishers of these books? What does it mean that large numbers of people pouring into London every morning have just spent half an hour immersed in blood, slashing, and psychopathic torture?
I’m yet to be convinced that the internet can’t look after itself. We may need some forms of organisation to help make sure we’ve thought through the risks and continue to do the next right thing but that organisation isn’t anything that should be modelled on governments or corporations. It needs to be native to the net and it will emerge in the same way that organisations have emerged on the net before. That’s how the net looks after itself, it adapts.
In 1997 or so, I remember talking to my then boss about what an intranet might look like for our team and how it differed from the internet and how it might be useful to us. If you were around in those days, you’ll be familiar with that conversation with someone who kind of got some elements of what the web was about it but wasn’t rooted in the culture like us. It’s pretty much the same one that people have been having about social media for the last few years.
We then drifted onto the idea of .com and what commerical entities on the web (we were part of government and so could sit and theorize about such things) might do with this new thing and how they might behave. I was very bullish about this. I’d just come from the Computing Department of the University of Surrey where I’d been immersed (probably to the detriment of my degree class, but hugely to my personal benefit) in usenet and the nascent web-culture.
I was quite sure that there’d be a fight. A fight between the cold commercial forces of capitalism and the warm, fuzzy, hippy-dippy types committed to openness and co-operation and collaboration for the greater good. And naturally “we” would win.
And how did it turn out? What actually happened? Well I don’t think there was a big battle – both sides lost something, both won something – we all adapted and the web became something that had a more commercial heart, but wasn’t just another channel for business as usual.
Is the web now full of people wanting to make a quick buck, pushing advertisements and 20th Century mass production business models in our faces? Well yes and no. Is the web full of anarcho-hippies, knitting their own yoghurt and urging us all to wear sandals? Well yes and no. Both extremes exist but can be ignored if you wish. Where the really interesting stuff is, is in the middle where social entrepreneurs are creating new value in many forms, giving stuff away, being open about their processes, sharing but still making enough money to enjoy a comfortable standard of living. More than that we’re finding new ways of working together, organising and making stuff happens that benefits us and the whole community.
My personal experience with Tuttle has been that the network is much stronger and more robust than we imagine. Whenever it get’s a push against it, it either repels invaders or morphs into something similar enough to still be Tuttle, but different enough to survive.
So yes, I remain to be convinced that the accelarant properties of the cloud are any more of a risk to the cultural effects that we value than any other infrastructure changes we’ve seen.
Counterpoint will publish Charles Leadbeater’s report Cloud Culture on 8th February with a debate and conversations at the ICA featuring Catherine Fieschi, Charles Leadbeater, Ekow Eshun, Paul Hilder and me. If you haven’t booked a ticket yet, there are still some left here
I’ll be attending SXSWi in Austin, Texas again. My panel was not picked, but emotion aside all that means is that I’ll have to pay $blah or so for a ticket. So I’m definitely still going to go – it’s just well, you know, too lovely and awesome not to.
Last year we flew over a few days before and had some holiday time hanging out and getting acclimatimed and then flew back the day after interactive closed.
This time I want to take it a bit more gently. Here are the bare bones of the evil plan, which I’d prefer to do with a gang of tuttle-istas if we can find ways of funding it:
1. Find the shortest flight to North America possible (does that mean least-polluting? I don’t know but that seems like a good aim to bear in mind) and fly at least a week before SXSWi opens ie arrive March 5th at the latest.
2. Devise a series of train journeys from wherever I land, down to Austin, preferably going via New Orleans to visit that good friend of Tuttle, Mr Taylor Davidson and see how his Crescent City adventure is panning out. Yes, you read that right, train journeys. I understand that the US train system is not quite as beautiful or efficient as its European sisters. However, train travel rocks, it just does.
3. At stopping places throughout the journey hold Human-scale Conversation sessions with local people talking about differences between US and British culture – not trying to solve anything particularly, just getting the subject out on the table and seeing what comes of it. There will be heavy-duty social reporting of these conversations. Note that the format has been refined since July with some extra flourishes – this is how I introduced something like it at the Tuttle/Counterpoint event in December.
4. Once in Austin, continue to hold Human-scale Conversation sessions on the same subject and present #kebab-style what we heard, found, learned, saw along the way.
5. Make our way back to the east coast overland again, putting together a documentary film from the footage shot during the first part of the trip, so that we have something ready to show when we get back to London.
Howzat grab ya?
Here’s 8 ways you can help (and I’m sure you’ll come up with more)
1. Tell me how you’d improve on the plans and make them even more exciting.
2. Tell me why this is oh so very wrong-headed, misguided and stupid (I won’t listen very much, but I’d rather ask you for this than you just provide it out of the blue!).
3. Help me work out rough costings for each variation.
4. Provide money (just loads of it, regardless of the costs!)
5. Suggest routes and interesting stopover points, tell me why you think it’s interesting.
6. Volunteer to tag along and tell me how we’d pay for that.
7. Find other supporters with more money than time who’d like to see this happen.
8. Introduce me to sponsors who might provide help in terms of cash, food, shelter, transport as well as social reporting equipment.
UPDATE (18/01/10): The planning for this trip is now going on over here Come see!