Early days on Seesmic

seesmic
Really enjoying “pre-alpha” access to seesmic.com the new kid on the lifestream block courtesy of Loïc LeMeur. It’s a closed group for the time being and feels nicely diverse and international which makes a good change from the usual West Coast dominance. Halley Suitt’s french cracks me up as much as it did at the first Les Blogs.

The basic premise is like twitter, only in video – there’s a public timeline of new clips. Some are long and dribbly, some are short and snappy. There are lots of tests and mumbling into mics and stuff – good wholesome early day play stuff.

What Loïc’s done that’s really smart is that the outputs can leak even though the actual application is not available beyond 150 of us. So I can share a URL with you – here’s me & my ukulele. In fact, when I post a new clip this happens automagically through my twitter stream as I’ve shared my details with them. His other masterstroke is to do a daily video summary – how hard its this and how much buzz does it generate? Why don’t more startups do it? Why am I not doing it?

There are 3 options for providing video – you can share a YouTube clip, you can record using a webcam, or you can supply a .flv file. My webcam stuff has been frustrating because I can’t get the sound to work particularly well. I sound as if I have a serious lisp – whereas you all know that I actually have quite a trivial little sibilance problem… The audio ain’t great from the great MacBook iSight unwashed either, so I’m imagining it has something to do with the encoding at seesmic’s end.

So the uke clip was an experiment in getting round this by making a quick video on my camcorder capturing straight to my hard disk, quick editing & encoding as .wmv, uploading to blip.tv and then taking the resulting .flv and uploading to seesmic. Any suggestions on shortcutting this that don’t involve me buying new hardware or software are welcomed – I haven’t had a good experience yet with Riva the .flv encoder that is supposed to do the job of converting from .wmv to .flv I want to be able to do it quickly – that’s kind of the point.

There are some annoying things in the interface still. Though they’re getting fixed by the hour. I just saw Loïc twitter for example that profile pics are now working properly and sure enough they are 🙂 I had some initial difficulties because I chose a weird user name – it all got sorted very quickly and patiently by Johann the tech guy.

Also as it’s such early days I don’t know what should work and what shouldn’t. Of course I’m willing to put up with pretty much anything. I can’t get YouTube vids to work in the seesmic screen, I have to watch them on youtube.com and some .flv uploads have stalled for me too. The buffering settings seem to need tweaking – it doesn’t download enough before starting to play so that it stalls too frequently.

It brings home for me again that you have to use these things to really grok them. If you just see someone else’s outputs, whether it’s seesmic, twitter or blogs it’s quite difficult to understand what’s going on. Let’s hope it’s open for more people soon. The really interesting behaviours will emerge I’m sure when we’ve loads of people playing. We’re still regularly finding new applications for twitter for example and I’ve been on that for nearly a year.

Café Audioscrobbled

So here’s an idea for members or regulars at the London Social Media Café.

You make LSMC a friend of yours on last.fm. When you come in, you swipe your card so our central electronic brain knows that you’re there. From here you’re in a group and the sound system plays radio from last.fm based on type of music favoured by the group of people who are in the house today.

Does last.fm work like that? I’ve never been able to listen to music and do computer based work at the same time, so it’s kind of passed me by.

To Let

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Had a little wander around a little bit of Soho on Wednesday to see what I could see that might be of use to someone thinking about a London Social Media Café. I only covered Brewer St, Wardour St, Dean St & Berwick St and the thoroughfares in between (you know the places you’re most likely to trip over Charles Frith at 5am… allegedly)

I took some pics of the ad boards from commercial property agents. Lots of upstairs offices. One or two boarded up or broken down café type spaces including one with a To Let sign in the window.

Left me wondering whether LSMC could operate in what is existing office space. Obviously you’d lose the passing trade, non-social-media traffic but still not sure how much that would be anyway. Also, don’t know if that sort of thing means a change of use and therefore requires some government interference, or looking at it in a more practical way, what you can get away with without upsetting Westminster CC.

And so farewell, New Piccadilly.... <sniff>Bonus pic: Before I got that far, I went and snapped the New Piccadilly which is now closed and boarded up. Anyone (Russell?)have any pointers to stories or info on whether the signage or any innards have been preserved?

Mippin

I was invited yesterday to see a demo of Mippin which is being launched today by Refresh. Very, very simple stuff to read web content on your phone. I like.

I remember being interested in their previous (and still going strong) product, mobizines (Scott describes mippin as mobizines on steroids) but was put off by the restricted content available and the java client. These Refresh guys have taken the good idea from it – we want to be able to read cool stuff as easily on the phone as you do on your desktop – but they’ve moved away from the horrors of transcoding a 15″ experience in its entirety down to a variety of small mobile screens and gone for the fact that most sites already produce content in a presentation-independent form – their RSS feed.

As a service, you can look at it two ways – as a “publisher” I get to include my RSS feed in their database, then if I want to I can opt to splice ads into the feed (in the same way that feedburner does) from which Mippin takes a small cut. Bigger publishers will want to customise the way that their feed is displayed and they can do this too.

As a “user” I can subscribe to the feeds I want and I can search for terms (or URLs) to find new stuff – so for example putting the URL for this blog into the search box returns a picture and title and a link for each post. A click on the link takes me to an uncluttered version of the post. Perhaps a little too uncluttered – the links have been stripped. But there is another link there to go to the original post (and you can pass it on by mail, sms or twitter – nice) There’s a kind of history page too so I can go to my regular reads. I see it primarily as an RSS reader for my phone. So of course my feature requests are to make it behave a bit more like an aggregator – I’d like a river of news view. I’d like to be able to define groups of subscriptions and get a river of news from each. I’d also like to be able to turn off ads, oh yes and I’d also like a zeitgeist tagcloud to be able to see what’s hot. Scott was boasting that moving from downloadable client to browser meant that their development times have been slashed, so I expect to see my requests implemented well before Christmas 🙂

As an aside, the experience is still dependent on the browser though – I want a really good free browser for my Windows Mobile Smartphone – IE just doesn’t cut the mustard, although I’m also tempted by a Nokia 800 or an iTouch.

Disclosure: I was given two cups of delicious coffee (and offered more). There was cake. Mike Butcher ate some cake, but I stuck to coffee.

Professional Crap Sifters

sep 07 049It seems that London’s opera critics think that Sally Potter’s Carmen is, well, a bit crap. I can’t comment, I haven’t seen it yet – but I still love the blogging and videoblogging over on the ENO’s mini-site. A couple of the critics have been a bit sneery about the whole 2.0 angle on this but I think they’re missing the point – the show may be gimmicky (err.. I don’t think opera folk call it a show, but you know what I mean) but the blog isn’t – I really think it’s taken a big step in a new direction for the Arts, opening up the creative process and the backstage, as the production progressed, rather than filming a fly-on-the-wall and then stitching it all together later. This shows up “what *were* they thinking?” as lazy rhetoric – you could have seen what they were thinking by following the site. The real question for the critics is “if they’ve been talking about what they’re going to do for so long and in such detail, why did the bits you don’t like in the production come as such a surprise to you?” and why weren’t you writing something about it back then?

I really hope that the ENO has the courage to keep that material up and to carry on with this experiment now and into future – it adds a layer of interestingness before you see the show as well as afterwards – it’s icing on the cake. As I say I haven’t seen the show, so I don’t know if this is an occasion to peel the icing off and give the cake to the dog or whether this is professional critics talking out of their arses again. Now is the time for the Carmen folk to get the conversation really going – fight back or surrender, doesn’t matter which, but say something.

The thing is that critics are part of the problem with opening up performance to a wider audience. The good news is that their power is diminishing as we gain the opportunity to hear people we know and trust talk about what they like and don’t like. I much prefer getting recommendations from my friends and I look forward to seeing some ordinary people’s reaction to Carmen, people who don’t have any prejudice against ENO and don’t already have a fixed opinion about how this opera needs to be done in London today.

I went to a C4 Education screening last night entitled “TV is dead?” My answer – read my blog (two years ago! – funnily enough about the same time as I started thinking about blogging for theatre) The bit in the programme where, if I’d been at home, I’d have been shouting at the telly, was when someone from the Beeb trotted out the old line that in future, as media professionals, they would be the people that we could trust to sift out the crap. NO, BBC, STOP! I don’t want your opinion on what’s crap and what’s not, I want you to make excellent programmes that no one else can make. More “Dr Who”, “Comics Britannia”, “Windscale”, “The Mighty Boosh” (oh God! *More* Storyville, not less!!!!) and fewer animals stuck up trees and celebrities who can’t tap dance.

Phew!

I really liked that younger people were included in the debate in a fairly unpatronising way, though friends and other regular readers know what I think of panel sessions.

Missing from last night was any recognition that the internet is about social interaction not content delivery (just like TV has always been) and so you should be concentrating on making stuff that people want to interact around rather than worrying about how they get it and whether everyone’s paid exactly the right money (whole other rant on that one – tell us straight – how much money gets spent on protecting rights? – how much more or less is it than the amount of money you currently lose to “piracy” – how much more money might you actually make if you weren’t so tight arsed about it all – *hint* watch Radiohead very carefully)

Also missing was any glimmer of understanding that advertising might not work any more. The real question here is “TV Advertising is Dead?” And it comes in two parts – 1. People don’t want to be interrupted or fed commercial information any more, they want it self-service and 2. The current advertising sales model is based on pulling the wool over the eyes of advertisers with extrapolations from sample audiences – what happens when you (and they) start to get real audience numbers in real time based on actual attention data from your viewers/subscribers in a form that makes comparison with other online media forms more like-for-like?

It’s called a “holiday” apparently

I’m going away for a week. Not taking a computer (except my phone). Not likely to be online at all. May twitter by SMS or do a Facebook status update if I can get to GPRS. e-mail is unlikely to be answered. Hope to walk, talk, eat, read, write a little, do as little normal stuff as possible. Am being dared to enter the Cornish waters in swimming trunks. If that happens, fear not, there will be no photos.

Bak sun!

An amateur writes…

Thanks Adam for pointing to Michael Billington’s piece on theatre criticism.

I wish I had more time to respond, but in the few minutes before I get in the shower, I would add these points:

A great number of the theatre directors I’ve spoke to about in-house (marketing, if you like) blogging they have seen it’s *primary purpose* as circumventing what they see as piss-poor print-bound criticism which can kill a show’s sales just because the critic had a hangover.

Mr Billington should have a look here for an explanation of how to deal with that “relentless din”

I sat in front of Mr Billington at a press night last week. He was very well behaved, as you’d expect. The same can’t be said for one of his peers who threatened to disrupt the beginning of the show because the seat he’d been given didn’t suit his taste.

Is anyone doing (new)media literacy classes for these poor old hacks? How can we help them distinguish between the different types of blogging in theatre, spot the good stuff in among the rest and understand that you don’t have to read them all, any more than you have to read every column-inch of a newspaper.

I'm the founder of the Tuttle Club and fascinated by organisation. I enjoy making social art and building communities.