We ended our International Women’s Day dash around London with an interview with the Director of the National Theatre, Rufus Norris. Here, Rufus talks about the importance of a national institution representing the nation through the people who work there.
[Disclosure: Rufus is an old pal so forgive us some giggles at the start when he tells us who he is ]
Helen Keegan and I spent International Women’s Day interviewing women (and some men) in tech (and other sectors!) in London about their experience of gender in the workplace and where we’re at with equality. We’re releasing the audio as podcasts over the next couple of days with minimal editing. We will produce a digest of all the conversations later in the week.
Last night, someone commented on an old video of mine on YouTube. It was from some work I did in 2006 making content for a site supporting a consultation around education for the creative industries. That’s as much as I remember really. Mostly it was talking to “grown-ups” about what “skills are needed by industry” but I also got to go down to Peckham and interview a bunch of young people about their experience of Theatre Peckham (then known as New Peckham Varieties).
The commenter had said “Omg is that John boyega 😭 so happy for him” And so I had a look and yes, about one minute in, there’s a fourteen-year-old future Finn looking surprised to hear that not only had Sir Ian McKellen worked in the West End, but also that he was in the (then) new X-Men movie.
Go on, watch the whole thing. He pops up later too. If you spent any time around theatre when you were young, you’ll recognise yourself and your peers in there somewhere.
It made me realise that I’ve been on YouTube for nearly ten years. 2006 was the year it all got going. At the start of the year it was some experiment that guys at PayPal were doing, I joined in the March (but didn’t fully commit to only posting video there till much later – hence the broken video links in some of my posts!) and by the end of the year it had been bought by Google. And still people were saying video on the web was just a fad
It might be time for a retrospective!
Someone special just reminded me of this. Got my Thursday off with a grin.
I decided that much of the time, the most value I could add would be to give you a feel for what it’s like in the press room, on that floor that you, watching at home, could see behind any TV presenter reporting live from the summit.
Of course, the press room itself is “behind the scenes” of the summit itself. The 22 leaders and their delegations were off in the Red Zone working out the detail of what was agreed and published. Only occasionally would red-lanyarded people wander into the press & TV area to be ambushed by crowds of bored journalists eager for a story. But what I’m sure you saw most of was well-crafted, polished presentations of those moments and the pieces to camera on the TV stage.
So I’ve three bits of video that show you what’s going on from another angle.
First, here’s Simon Berry getting ready to talk to Bob Geldof. We’d spotted Bob talking to our colleague Todd Lucier and Nick Booth had encouraged Simon to go round and talk to him too and show him the idea of colalife. Nick filmed the real substance of the exchange here but my clip tries to show that even when the people filming and being filmed are fellow bloggers, there’s some further enrichment to come from seeing how it was set up.
Sticking with Geldof, I captured a little of him being interviewed (by someone in the studio) for Channel 4 News (I think). He’s a great performer, as I noted when I saw him at Innovation Edge and you see here the point at which the feed goes live to him and he launches into his spiel. I think it’s good to see what’s going on right next to the camera – can anyone find a clip from C4 to compare with this?
Even when we were in the briefings with Brown and then Obama, pretty much the same pictures were being taken throughout – the great man, at the podium – I was as guilty of that as anyone. So finally, if you watched the Gordon Brown press conference on the telly, you’d have seen a few flashbulbs going off. This is what it looked like from the floor where I was kneeling next to the press photographers.
From the earlier part of the week before the festival started and definitely before the sun came out. Our experience was that walking anywhere more than a couple of blocks marked you out as either a tourist or poor. Or like us, poor tourists.
This happened to me a couple of years ago too when I went to Barcelona and it felt more like Bangor. We seem to have brought the sunshine back with us from Texas, but not the temperature, I think it’s still up in the seventies there.
East Street is the A24 going out of Epsom. For the last couple of days it’s been almost empty at 6 o’clock because the road was covered in snow and no-one seemed to be going anywhere anyway. It’s been nice walking along with no traffic. Today seemed to be the day that people either thought it was safe enough to drive or decided that they couldn’t get away with another day off. Either way it’s back to normal, and we should be glad, right? We should be glad when things get back to normal. So I am.
FOOV (can’t wait for future of online media – FOOM! True Believers!) was yet another kudos-tastic #amp09 production – top marks.
When talking about the future of online video, there’s a not very interesting conversation about what sorts of whizz-bang & weird innovations we might be able to make up. There’s another, more frequent but equally uninteresting chat which is how we can turn the visual media of the past into something that might just work in the hypernetworked, digital world. What is fascinating is looking at how the things that people are already doing now which work well in a networked digital world, can be applied to areas that haven’t seen them yet – ie how can we more evenly distribute the future, which is already here.
So interesting was this cafe-style set of conversations that I only managed to take part in two: firstly, can “Big Brother” survive in the Qik-enabled panopticon, which was most amusing because it does work for the Nineteen-Eighty-Four version as well as the Endemol production.
I then went on to talk about the implications of conversational media (especially things like phreadz) on Higher Education especially on the teaching side, though we rambled all over formal vs informal, online vs offline relationships etc etc.
As always, you kinda had to be there. Tweets were tagged with #amp09 and Phil provided a rezpondr page. Penny Jackson was collecting audio impressions. Stuff will probably bleed out of my ears sometime later.