Category Archives: What I’m doing

public/private space and the web

Re-reading that bit from the Space Hijackers that I pointed to in the previous post, I kept coming back to this:

"If you’re a local council, selling off land to private developers is an easy way to raise capital. But the undermining of social liberties that comes with these sales is unprecedented. Take the construction of the Olympic village in Stratford for example. It’s an entirely privately owned complex. Although there will be public space, shops and entertainment, there will also be robotic CCTV drones monitoring everyone coming and going – thousands of cameras watching your every move, a ban on begging, busking, skateboarding, hoodies, public assembly, protest, loitering and much much more. Everything that makes our city so vibrant is drained out of the space and replaced with a 2D image of a city. Unless you're shopping you're not welcome."

and how the same thing is happening to the web, the privatisation of *our* data, the recording of our exhaust trails, the move from a place where conversation happens and interesting things are born to being just another passive, entertainment and shopping channel.

Originally posted on Lloyd’s posterous

Public Private (work)Space Enclosure Culture Stuff #workplaceblogs

I was loitering around MORE London the other day and was struck by the contrast in foyer space between Ernst & Young and pwc.  (Btw yes pwc is PricewaterhouseCoopers ie PwC but their new logo doesn't reflect the idiosyncratic capitalisation that we know and love them for.  I do hope it's not on the way out, it seems to be alive and well in copy across their site) 

Anyway, this is what I saw (they're only short…):

and

oh and then I went round the corner and shot this of the "front" of pwc:

Now I should point out that what I was doing here is very very naughty indeed.  MORE London is private property and both loitering and photography are among many things that are severely frowned upon.  However, I'm a wild-eyed rebel at heart (as y'know) and I just don't care!

The first one is Ernst & Young – it's too short really to get a feel, but basically it looks more like a media company with big screens pouring INFORMATION out all over you as you sit in reception waiting to see your tax accountant.

Over the street, is pwc.  

Well it's not really a street is it? It's a private paved thoroughfare leading from Tooley Street to City Hall. The mayor's testicle is at one end, so what does that make The Shard?  Oh and it has a little miniaturised (and highly sanitised) open sewer running along the middle of it to remind you of the history of the Thames.  Now I think about it though, I think the water's running away from the river, I'll have to go back and check, but that would be no good, a sewer that ran *into* the populated areas? yikes!

Anyway, back to the offices.  When I've walked past before now, I didn't realise that the downstairs bit of pwc was corporate space at all, it's just rows of sofas like you might find in a hotel lobby.   The slightly brighter though warm lighting is the clue though.  This isn't a place to slop and read a book or have a quiet cup of tea, it's a place where Work goes on, just the gentler, cosier, friendlier Work than the bright bright white-light WORK that goes on in the little rooms on the first floor just above.  

What's going on here? Is the firm saying "Look at us, we know how to work hard and work soft!" "We're not grey heartless accountants, we can kick back and relax on comfy chairs with the best of them – and we're not afraid of you seeing that, in fact we're going to make it the first thing you see when you get out of your cab and walk round to see us." "But don't worry, we do work really really hard, we do serious stuff, wearing suits, with whiteboards and flipcharts and everything, upstairs".  Or what?

And what does it feel like to work in a place like this?  What's it like to have meetings in these areas?  What's it like to talk?  Is it always this empty (this was just before 5.30 on a Thursday so I guess most "meeting" work would be over by then, everyone's back at their desk e-mailing madly before the pub).

Overall, I'm interested in whether the inspiration for this comes from "new ways of working" thinking or "new ways of marketing" – is it about the staff or the image?  I'm coming down on the side of it being a shop window, but if so, what are they really selling?

Oh and can someone please find me some Evil Empire music to go with the last clip (probably with some crows cawing, maidens screaming and maniacal evil laughter in the background)

Originally posted on Lloyd’s posterous

James Burke’s Connections – the 1970s @ProfBrianCox #allofme

I showed this clip at the beginning of my recent show/talk at Hub Westminster.  I've since watched this episode all the way through, it still thrills me.  Is this what watching @ProfBrianCox does for people these days?  I hope so. 

There's a few things to say about it.

1.  I love the subtitle: "An alternative view of change"  That was one of the things that grabbed me as a pre-teen watching on TV: "You can have a view of change? You mean you think about it, turn it over, make a whole TV programme about it, spend your life talking about how things change?  Wow!" 

2. It's chilling that the first sequence takes place at the base of the WTC and then a lift that goes all the way to the top.  He talks about exactly the trap that people found themselves in on 9/11.  Conspiracy theorists of course love the fact that he further illustrates the story with SAS Flight 911.

3.  The assumptions he makes about what's in the room around you – you must be watching this on a TV right? You have a phone in the room?  Well probably, but the phone(s) I have in the room are not the phone he was talking about.r

4. When this episode ended, you had to wait for a week for the next one, and you'd have to make sure you were at home to see it and that you remembered it was on, there was no catch-up or iPlayer, certainly no realtime pause and rewind, no way you could watch it on any other device than the television in your living room right there and then.  I'm pretty sure we didn't have a VCR at that point so couldn't rewind and watch it again later that evening. 

5. This stuff really should be available to people freely and in high-quality, nrot in 10 minute lo-fi chunks.  And we should be talking about it and what it means and what we might do differently, and the extent to which the changes of the last 25-30 years have vindicated this "alternative view of change" 

Originally posted on Lloyd’s posterous

Archive Film as Social Object

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I got a bit overexcited last week when Sarah from Time/Image showed me a whole new bunch of British Council films that have been digitised from the archive.  I love them.  I'm still as excited seeing new ones as I was when Al and I looked through the archive in the first place.

This batch is not ready to go online yet, but lots will be, soon, I'm promised, there's going to be an official launch thingy and everything.  However, I've been threatening to take some of these out on the road for a while to  show to people offline, in someone's front room, or a church hall or something.  In particular I'm keen to take movies back and show them in the communities in which they were filmed.  And while they'll be up on YouTube and everyone will be able to watch them on their own, I'd really like to see how they play to  a larger audience, especially when that audience is encouraged to talk about the films together afterwards.

So I wrote a list of what I want to do in showing these films and it came out like this:
  • reconnect people with something they've lost;
  • get people involved in documenting them;
  • share my addiction, get people as excited about seeing and sharing the films as I am;
  • get people thinking about what they have now, what they keep, what they digitise;
  • get people thinking a out what culture means and how copyright works or doesn't work for us
which is a lot more than I thought there was when I started writing the list, it seems quite worthwhile…

Take a look at the Time/Image Wiki to see the range of films in the archive and find links to those that are already online.  Have a look.  Let me know if you're up for a guerilla screening where you live.

Photo Credit: Still from 'London 1942' – Taken from 'Films of Britain 1946'

Originally posted on Lloyd’s posterous

There now follows a promotional message on behalf of @lloyddavis

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I’ve had it with hibernation, even though snow arrived in London this weekend, it’s time for me to start moving and grooving again – Let’s do some work together! 🙂

I learned something really important in the last six months of last year: I’m really, really happy with this lifestyle – I like being in London, I like having a base here, but I also really like moving around the country a lot.  I also love working with people on what they’re doing.  Whether that’s facilitating large groups of people to get things done, or helping a smaller group to have interesting conversations (both of which I did at the recent UK GovCamp) or working with individuals one-to-one on what it is that they really want to do and supporting them in getting to do it, it’s the being there that is when I can be most valuable.

I’ve also really enjoyed performing.  I’ve done street busking again for the first time in a few years and I devised a show around last year’s American trip which I’ve done five or six times now.  I’ve got a new show that I’m trying out tomorrow night.

So that’s what I’d like to keep doing please, just with more cashflow associated with it 🙂

Give me a shout if you’d like my help with any of the following:

Facilitation for an unconference – I’m a very confident and competent holder of Open Space type events. According to Dave Briggs who hired me for GovCamp, I’m “a legend, a master facilitator and the most calming influence ever.

I can do more structured and pre-planned stuff too, but I’m happiest working with people to create their own agenda on the day and help them do the amazing stuff that self-organising allows.  Maybe you should rethink one of the days of your upcoming team awayday?

One-to-one work – coaching, mentoring, business strategy, critical friendliness whatever you want to call it, I will spend a few hours with you regularly to help you get done what you need to do.  It’s not classic business coaching, we won’t create a rigid structure of visions, aims and goals and mechanical tasks to achieve them (I’ve seen that end in tears, including my own, too often) – I treat you as a human being and a peer and make gentle suggestions. Mike Oh of TechSuperPowers recently saidYesterday, @lloyddavis helped me find the secret sauce for creating a ‘startup culture’ in my 20 year old company. Excellent session.

I’d also like to try out “Human Scale Conversations” with some teams or groups within organisations.  It’s a development of this idea from a while back.  Again at GovCamp, Catherine Howe said…I got a huge amount from his Human Scale conversation” and Martin Howitt said that the session “…challenged me in a completely unexpected way” and Philip McAllister stayed all day: “Thank you, that was enjoyable. It felt like a bold experiment and was really enriching.”  I think it’s most useful to people who spend their professional time trying to get others to talk to each other, or more generally people who’d like to improve their experience of being in meetings at work.

If you’d like me to come along and do a gig at your home or a local community venue, I’d love to talk to you about it, whether it’s straight ukulele and singing, “Please Look After This Englishman” or “All of Me

I’m very happy to travel anywhere you need me as long as we can agree a fee and expenses. I’m not being as hardcore as before – I love staying with people I’m working with, but I’m happy to accept accommodation expenses if putting me up in someone’s home is too tricky.

PS this is not to say that I’m not open to anything else that you might have in mind for me, if you know what you want, talk to me.  If you don’t know what you want but think it might involve some “lloydness” talk to me. Just talk to me, I don’t growl or bite (if you call between the hours of 10am and 4pm).

Photo Credit: #ashroplad on Flickr

Originally posted on Lloyd’s posterous

See “All of Me” at Hub Westminster, Feb 7th

Vinay Gupta has asked me to contribute to his "Truth & Beauty" strand at Hub Westminster next week.  He asked for something both pro- and retro-spective and something that showed more than one facet of what I do, have done, and probably will do when I get round to it, perhaps.  And, of course, including some singing and ukulele.

So I'm putting together a thing called "All of Me: the continuing adventures of a community-minded polygeek" which will make an attempt at drawing together the many threads of lloyd-ness.  There'll be stuff about what I've been doing in the last few years with and as well as random pickings from my autobiographical archive.  And then there'll be some thinking about what's happening now and what comes next.

Do come along at 6.45pm for a communal dinner, the performance will start at 8pm and we'll be all done by 9.30pm at the latest (I'll probably be asleep by then…)

And check-in on the hashtag #truthandbeauty for last-minute info.

PLUS: I'll be taking this "show" on the road over the next few months. Subscribe to this special newsletter to make sure you know when I'm in your neck of the woods.

Originally posted on Lloyd’s posterous

Forty-seven

It’s just ridiculous, I come back to it every year, this numbering, this ever increasing number that is attached to me.  This morning it was suddenly 47.  What does it mean?  Everything and nothing it appears.

It does *feel* like a shift, I suppose it means “late forties” rather than “mid-forties” but still.  Anyway.

I’m just going to get on and enjoy another day, occasionally liking the lovely Wall posts on Facebook that remind me how wide and amazing my network of friends is; hanging out with a beautiful woman; watching “It’s a Wonderful Life”, because it is…

Originally posted on Lloyd’s posterous

Reflections: A Self-Portrait e-book #llobo

Here’s something.  I wrote this last month when making the transition to settling in London for a couple of months.  In fact, writing it helped confirm the transition for me, it seemed to mark the end of something.

Enjoy. Pass it on to anyone who you think might get something from it.  Let me know what you think. etc.  I’ve made it available under a Creative Commons Attribution-ShareAlike licence so you can redistribute it, remix it, produce it in new formats, sample from it, whatever as long as you say where you got it from.

reflections.pdf Download this file

I’d like to make it available in other formats.  I need some collaborators to help me understand this self-publishing lark a bit better and to actually get it out of the door. If e-books and paper self-publishing is something you’ve done, and you’d like to help, give me a shout.

 

Originally posted on Lloyd’s posterous

Hello Collaborators!

I’ve been hanging around this place called the Centre for Creative Collaboration for a couple of years now.  I think I’m just about getting the message: you can dig deeper, bigger (and depending on your definition, more interesting) holes in the sand if you do it with other people. Doh!

The two big projects I’ve worked on while here: Tuttle2Texas and Please Look After This Englishman have been looking at generating a new kind of narrative, blurring the distinctions between audience, funders and participants and presenting the results in a variety of formats and media.

I want to take this a bit further, applying the general methodology that I’ve aspired to follow:

  • come up with something interesting to do with interesting people;
  • blog about it as you go taking some direction from people on the internet;
  • create content in various media as you go;
  • present what happened in some summary form or forms (a play, a book, a film, an e-book etc.)

So far, I’ve defaulted to doing things myself, although I’ve had some great collaborators, my tendency has been to keep it small and only ask for help when it was really really needed.  Now I want to open them up much wider and make collaboration the norm. 

I’ve at least three projects that have been bumbling around in my brain for a while that I want to apply this to.  I want to get going on them, but I don’t want to do them just by myself.  So I’m going to write up briefs for all of them and then ask for volunteers to help in the following areas (there may be more!):

  • talking things through, open up hypotheses, react to the idea, tell us where it’s wrong, where it’s right, what you’d  do with it if you were able to give it time;
  • looking at the themes that emerge, identify new audiences, funding streams, participants and other interested parties; 
  • work on creating content, writing things up, shooting video, recording audio, taking pics, curating outside content relevant to the themes and writing about it on the blog;
  • editing and producing said content;
  • recruiting participants and building relationships with them;
  • designing and producing “end content” ie taking what we have and productizing it;
  • desiging ways of rewarding contributions in financial and other terms;
  • managing all the bits and bobs: documenting decisions, managing cashflows, keeping track of contributors and remuneration; and
  • reviewing and improving the process and overall methodology

My intention is to publish “Calls for Collaborators”  (an important principle is that collaborators needn’t necessarily be based in London or even the UK) and that we’ll refine this approach as we learn how it works.  In the meantime, your thoughts on all of this (ie your collaboration on the final bullet point of this last list) would be most welcome.  Talk to me, people.

Originally posted on Lloyd’s posterous

Framing what I do (again)

I applied for a job a week or so ago (I know!) As part of that I had to update my CV.  I’ve become a bit stupid about that, thinking I somehow didn’t need a CV, that my Linked-in profile was good enough, given I’m a forward-thinking social web geezer. Stupid, not only because you can never have good enough well-targeted, easy-to-read marketing materials, but also because the process of updating one’s CV is a valuable exercise in thinking about one’s experience and how to frame it, how it makes sense now that one is a little bit further down the road.

Anyway, I included the following under “Key Skills and Knowledge”.   They’re all important bits of what I can do, what I like to do, what I’m really good and well-practiced at.  And they’re all things that I shrug off because they’re easy and straightforward for me.  What I forget is that the things that are probably most valuable in my portfolio of talents are those things that I find easy but lots of otther people find very hard – duhh!

Breaking New Ground – comfortable at the edge of innovation and the dealing with the uncertainty of commercial and not-for-profit startup environments by iterative prototyping. Happiest doing those things that “everyone knows” can’t be done.

Facilitating Collaborative Work – a prodigious networker, relationship-builder and subtle facilitator. Creating, managing and developing highly effective inter-disciplinary teams. Coaching and mentoring individuals in personal productivity and effectiveness.

Building Inclusive Community – proactively managing relationships within an organisation as well as with customers, collaborators, service-users and wider stakeholders.

Another step in the never ending quest to explain just what it is that Lloyd does…

 

Originally posted on Lloyd’s posterous