Dear @JuliaAQuinn – an open letter to #Amtrak’s Director of Social Media

Dear Julia

I’m really pleased and excited to see how the #AmtrakLIVE experience works out for you over the next few days.

I’ve travelled to (and from) SXSWi twice now on Amtrak and loved every minute of it. I’m only sorry that I’m not doing it again this year.

In March 2010, Brian Condon, Heather Taylor and I flew from the UK to start our journey in Boston holding meetups there, in NYC, DC, Atlanta and New Orleans travelling by train all the way, but because of the schedule found we needed to drive (boo!) over to Austin from NOLA in order to be there for the best of the festival. After the usual mad few days I took the Texas Eagle/Sunset Limited over to LA doing the return journey of #AmtrakLIVE. It was a fantastic way to relax and reflect on the whole experience, get to know other passengers and make some video.

In March 2011 I travelled alone for a project I called “Please Look After This Englishman”. I started in San Francisco on March 1st with no firm plans about who to see other than to visit SXSWi and to get my plane back from JFK on March 31st. I used my blog, twitter and facebook to explore the edges of my social network to find people to go and visit and stay with along the way. I reckon I totalled just over 8,000 miles on your network using a 30-day, 12-segment pass – what a bargain! That year I got the Texas Eagle down from Chicago to get to Austin.

10032011075

Of course I blogged and tweeted, took photos and video all the way on both trips (although the lack of T-mobile data connectivity while on the Empire Builder going through the more frozen parts of Montana & N Dakota meant I had a little off-line time!) I was surprised during both trips to find so many people who’d never been on a train, nor thought of travelling on one.

So I’m thrilled to see you giving the same opportunity to a bunch of people this year and to see all the talk of writers residencies. Well done!

I’m only sorry that you and your team weren’t around 3 or four year ago, we could have had some fun!

If my experience can help with your thinking around writers residencies or any other projects you have coming up, please do let me know. I’m currently working on pulling the material I have into some form of web experience or e-book, there’s just *so* much material! I’m based in London so I can’t hop on a train to see you, but we have the internet! 🙂

All the best for South By, I’m sure you’ll have a scream there and back again!

2010 Blog

2010 Photos

2011 Blog

2011 Photos

Tripline map made from Foursquare check-ins

London Social Media Cafe redux – what goes around…

I woke this morning to a tweet from Joanna Geary suggesting that I “might dispute your first status” – huh? It turns out Desi Velikova is starting an event next month called “London Social Media Cafe” and was tweeting to people: “We’re organising the first London Social Media Cafe and thought you might be interested” – the site refers to the Birmingham and Toronto SMCs as inspiration but makes no direct reference to our work.

Although I was initially riled, once I’d had a coffee and looked through it all again, I saw there was nothing to get hung-up about. As I said, nearly 5 years ago, “I own nothing here”.

Just to set the record straight so no-one has to dig through blogs and wikis or actually talk to someone to find out the answer – the thing that we now call Tuttle or the Tuttle Club started out as the London Social Media Cafe. I wrote about it first on 8th August 2007. In the early days we used a wiki at londonsocialmediacafe.pbworks.com Soon after people found that #tuttle was much less of a mouthful than #LondonSMC and we got on with the important business of talking to each other, building relationships and having a laugh rather than worrying about what we were called.

Good Luck with it, Desi!

somewhere dot com

I’ve been playing with the new, shiny, social, work-oriented, doo-dah at somewhere.com  and I really like it.

The good thing for me is that it accepts me the way I am.  It doesn’t try to put me in any pigeon-holes, there are no drop-down boxes or categories for me to fill in, I don’t have to make up a job description or deal with out-dated assumptions about how work works.

It’s a kind of microblog about my work.  I post (create “sparks” in the lingo) either to “Share Your Work” – which asks me “What are you working on right now?”  or else I can answer a seemingly endless stream of questions such as “How do you communicate with your team?” or “Where would you love to work?”.

A spark has a maximum of 250 characters and it *must* also contain an image (from your HD, flickr, instagram or FB).

You can follow people and “like” sparks.  You can include @users and #tags and hyperlinks in a spark if you’ve enough room.

It’s building up an interesting portfolio of the stuff I do and most importantly it helps me share my process as much as my products – which is great for those times when there’s a whole load of process going on, but seemingly no product.  That helps me remember that I am still working, and it keeps others aware of the things that go on in the background, things that I might not normally share because they’re not “ready” or “finished”.

So I commend it to you.  Have a look at my profile to see the sorts of things I’ve done with it.  I’m a big fan of Austin Kleon’s work too and he has a page here.  You’ll need to join in order to follow and like and post yourself, but it’s invite-only (I have some invite codes, so drop me a line if you can’t wait to jump in there).

“Something’s going to happen”

knot-red4

I’m still playing with animations. There are a bunch directly from London Terminus and other British Council Films including some tracings.

Then there are the things like the one above which is a single image repeated several times with minor amendments and then looped. It’s called “boiling” apparently.

Iterations, circles, going round again just with a little difference.  If you haven’t seen “Inside Llewyn Davis” yet, please do.

I showed today’s batch to a friend and she said “It looks like something’s going to happen”. And yes it does, there’s a kind of constant winding up of potential. But nothing ever does. It just keeps going round in circles. Or something.

Cartomiser

I learned a new word today.

600 Puffs

A cartomiser is a blend of “cartridge” and “atomiser”.

And each of these ones give you 200 puffs.

I have no idea how many puffs you need to feel like you’ve smoked a whole cigarette. If indeed that’s what people do.

Twelve

Today I mark twelve years since I last had any alcohol.

To people who drink normally or excessively that sounds like an awfully long time and a great achievement. But it’s not, it doesn’t feel like that to me. I guess because I got to a point where I knew that what had formerly been an obsession, a compulsion for me, had lifted and that I would have to go out of my way to have a drink – that there’d need to be a really good reason for it, and I didn’t have any reasons left. It also doesn’t feel like *my* achievement, I did it together with some amazing, generous, funny, sometimes infuriating, but always loving friends.

I had my first drink at around 13 or 14. I had a traditionally blurry British teenhood and twenties but by my thirties it was becoming boring. My alcoholism wasn’t particularly spectacular or dramatic or obvious to everyone around me. Though I had my moments. It was more that I used it to deal with feeling uncomfortable in life, uncomfortable with people, uncomfortable being me. Also, I had a great physical capacity for drinking and thought that because I could drink right up till closing time, then I should. And when I tried to moderate it or stop completely on my own, I was horrified to find that I couldn’t. I had to find a way of living with and overcoming the discomfort rather than anaesthetising it with booze.

Early in 2002, I thought that being sober would make my life boring, but life actually got much bigger – most people reading this have only got to know me since that time. It would be nice to think that I was a pain in the neck to people when I was drinking but when I stopped that stopped too, but it hasn’t been quite that simple.

If you’re struggling with drinking too much or too often or you just don’t like the person you become when you drink, you might find that total abstinence is the best route for you too. I wasn’t able to do it alone. Living in London, it wasn’t hard to find help in the company of the fine men and women of Alcoholics Anonymous. I’ve seen the Twelve Steps work miracles for people who were otherwise hopeless, but there are lots of ways of achieving this, don’t let anyone tell you that there’s only one path to recovery.

Cheers!

Some Hows of Timelapse

I made a little timelapse this week and put it in my flickr stream because I found, to my chagrin, that it made instagram video barf.

Robert spotted it (see? he *is* looking, watching, lurking quietly after all) and kindly mentioned it in his newsletter this morning. He asked “How did he do that?”

Well here are a few ways of answering that:

  • I shot it on my phone. It’s an “HTC One”, which accounts for the wide screen. There’s a free (with Pro version available) app called Droid Timelapse. The only real setting I use is to adjust the Frame Capture Rate – each frame here is a second apart. I did no other processing after shooting, just uploaded it.
  • I’d just tried out the new cafe in the newly extended Sainsbury’s in Garratt Lane, opposite the Southside Centre. It is nothing special, but for £1.95 I got a large mug of reasonable coffee that I enjoyed more than the sort they serve over the road in Caffe Nero for example. I came to the exit and realised it was raining (again) and saw in front of me a big window out onto the street. So I went and stood by it, propping my phone up against the glass, firing up Droid Timelapse, holding very still and pressing the button to make it start. Then I waited for the counter to reach 10 (I don’t know how long that took, I’d have to do some arithmetic with frame rates… but that makes 10 seconds of video) and I pressed the button again to make it stop. Then I went and bought some sausages in Sainsbury’s and went home.
  • While it was shooting, I was nervous. I expected at every moment to hear one of the security guards behind me say “I’m sorry sir, you can’t do that here” I couldn’t move because I was holding the camera still. I imagine that if anyone had actually paid any attention, they’d have thought I looked like I was waiting to take a picture for a very long time. While I was standing there a young (I dunno, late teens I guess) woman and a slightly older man came and stood nearby. They had a trolley full of groceries but I assumed they were either waiting for the rain to calm down or waiting for someone else to turn up. They were having that kind of conversation where you don’t get too deeply into anything because you know that you’re going to be interrupted at any moment by a change in the weather or the arrival of your friend. I zoned in and out of their conversation while wondering how the movie was going to turn out – would it be too fast? what would it look like when the traffic slowed down or stopped for the traffic lights? how many buses had gone past now? – the only thing I remember her saying was “I’ve been told by many people that they’ve had visions of me dying young.” When I turned around all I really clocked of her was that she had long hair and was wearing a light-coloured (creamy) woolen garment – I couldn’t say whether it was a cardigan or a pullover. It might have been Aran.

Does that help? Anything else you want to know?

Footnote: While I drafted this post (and the previous one) in Fargo, it’s still easier to embed media (especially moving pictures) using the wordpress.com interface. Boo! (actually that’s not true, I made it up before actually trying it out – the flickr code is just a line of text which would fit nicely on a line in Fargo. I’ll try that next time)

Playing with GIFs from archive film ( cc @time_image )

I don’t know what I’m trying to do!

I’m just playing really, but I think there’s something in here – look at how current popular media gets scrunched into little animated GIFs – does that only work for stuff that’s around now or that we’ve some connection to? Isn’t there still some fun in seeing loops of little scenes that we’re not so familiar with? I’ve been looking through the stuff in the British Council Collection which is all BY-NC licenced

So far I’ve just picked out scenes that I think would look good as a loop. But there’s also that gifset thing where you can sum up a sequence made up of little bits (often with subtitles for the key dialogue) I may try that sometime.

sparksshakes

Today I also had a go at making something else: a loop of tracings from a scene

traced30dive30

 

I should write up a bit more about how I did that, but if you’re interested there’s more of this spilling out into my tumblr all the time.

I'm the founder of the Tuttle Club and fascinated by organisation. I enjoy making social art and building communities.