A Blogger’s Store

09012009814Earlier, Dave Winer wrote about an idea for a blogger’s store in NYC. Anjali at MxM picked it up and RT’d it pointing out to me and Dave that it seemed to be like Tuttle.

Yes, in lots of ways, but…

This happens whenever you have a new idea – other people go “oh yeah, that’s like X” which is useful because it helps you refine what you’re thinking about by finding the differences between what you were thinking and what X seems to be. Or find that the new thing that you were thinking of is really only new to you, and someone really is doing it.

So Tuttle seems to share something with what Dave’s talking about. In particular, his last para: “One thing is for sure, whenever we come up with a way to make the blogosphere show up in realspace, something interesting happens.”

For sure. That’s definitely been my experience too. And most of it is outlined in posts here and on the Tuttle Club blog. But we’re not a store, we’re not a retail operation, we’re a group of people who get together regularly to do cool stuff, together.

And we’ve done lots. We’ve met every Friday (except for Christmas) since February 2008 and show no signs of stopping. Today there was a clip of us (albeit uncredited) in the video for this BBC news report.

Most of our original members have transformed their careers in the last couple of years, and whether they think it’s anything to do with Tuttle or not, few would say that the time they spent here was a waste. Indeed, the idea has spread widely.

We’ve created, even if we haven’t exploited fully, an interesting consulting model that’s congruent with the way that the group works, in the same way that I hope the group is congruent with the way the web works. You can see some of those principles drawn out in the first Annual Report I wrote.

But we haven’t done retail.

And it’s difficult because you have fixed overheads from day 1 and you have to work out what it is that you’re actually selling and whether that can cover your costs and preferably make a profit.

If you have a way of making enough money off bloggers reading their stuff and people paying to come and be part of it then fine, but I suspect there’ll need to be other stuff that becomes the bread and butter, that pays the bills, and that, sooner or later, always takes over from the reason you wanted the space in the first place.

Like blogging, you have to make careful decisions and disclaimers about where money comes from and what people get in return for that money.

You can sell coffee and cakes, of course. Everyone likes coffee and cakes especially with free wifi thrown in, but I never really wanted badly enough to be in the coffee and cakes business. And coffee and cakes are everywhere, better make them really good, otherwise, why wouldn’t bloggers go somewhere else, anywhere else to do their thing?

When we’ve talked about retail opportunities, it’s always come back to us selling our own stuff, whatever that stuff happens to be – it becomes a realspace Etsy store for our people, whatever we’re making right now. But woah! that gets complicated when you have more than a few sellers and products. How does the money get accounted for? What happens if something doesn’t work. All the stuff that we give to online stores to do for us, work for them because of economies of scale. Trying to replicate an Etsy experience on a human scale is hard – as far as I can see.

The other way is to have products that are all collaborative works eg the book of #tuttle2texas, we haven’t gotten round to doing any of those yet either 🙂 This is where most of us go quiet and then find something else to do quickly, something that works more easily.

I’m not saying it can’t work. I think that NYC is a far better place to try it than London, you have far more top-notch, well-known bloggers coming through NYC than we do. We’re also told again and again that it’s so much easier to do business in the USA than it is here.

And I think it is the right thing to try to do, to keep trying to complete the learning loop having invented something new on the web, asking how can we apply this to improving something similar in realspace.

Social Art Project Roles

Social spacesHad a great meeting of some of the folk rallying behind Tessy Britton under the banner of Social Spaces.

Tessy is embarking on a trip around the UK holding Travelling Pantry workshops helping local community groups to think through what they’re doing and expose them to the sort of thinking, but more importantly *doing* that Hand Made is chock-full of.

My initial reaction to this (so far self-funded) marathon was “it’s like #tuttle2texas only with less cash and more hard work!” It also reminded me that when I got back from the US I was thinking a lot about the sorts of roles that we as individuals in a group had played as we made our way cross-country. So I share these as ideas primarily for those of us supporting Tessy but also for anyone else doing this sort of work.

They’re not in any particular order here. No one person did all of these throughout, they can be passed from person to person and sometimes more than one person needed to take the role on at a time. Also the names don’t matter, I’m not aiming to create anything special or precious here, just trying to explore the ideas.

Planner – someone to hold onto the structure and make practical arrangements, however little structure there is. Someone might have to pick this up when everyone else is going overboard on being visionary.

Visionary – someone to hold on and remind the group of what this is all about, what the higher purpose is that we’re pursuing.

Recorder – someone to document all the gorgeous things that happpen. Yes, ideally this should be everyone involved and maybe as a compulsive documenter I overplay its importance but since this can be as simple as a posterous blog that everyone e-mails to it should be the easy bit.

Tech Guru – someone who feels comfortable with finding the wifi and piping social media content through to various places. This includes being the human interface for people who you come into contact with. If you want civilians to input into your documentation, someone will have to explain it.

Uncertainty Holder – someone needs occasionally to be the person who says “No, we don’t know how it’s going to turn out, but it’s going to be fine. Really.”

Good Parent – makes sure you drink enough water, have meals at fairly regular times, get some rest, stop working, play a bit and have a laugh, help you to remember the important things in life, nag you to do the things for yourself that make you feel cared for.

Treasurer – similar to the planner, this isn’t a budget holder, or financial director, but it’s someone who deals with money issues when everyone else is getting flaky.

Shaker-upper – someone to help zhuzh things up when they’re getting boring and samey or the group is all thinking the same (in a way that is not productive)

Scout – sometimes you need one of the group to go off ahead (even if only mentally) to see what’s coming up next and what unplanned activities you might be able to do. While everyone else is immersed in what exciting things you’re doing now, perhaps someone can be finding out what’s fun in the next town.

Writing about these reveals something about my approach to group dynamics. These roles are often about thinking differently from the rest of the group, stepping out and pulling people in a different direction – zapping things when they’re getting too dull, slowing things down when they’re getting too manic. Zigging when everyone else is zagging – that’s me…

What I want to do next

Penton riseSo in all this talk about what I’ve done and why that means I’m worth supporting right now and going forwards, it’s easy to lose sight of what it is that I’m doing and want to do next. After all, I’m asking for micropatronage in order to keep working, not so that you can reward me in retrospect.

I am midway through my residency at Centre for Creative Collaboration. I’m Social Artist there and I’m starting (after 7 months…) to understand what that might mean and how I can live it best and start to generate revenue through it for myself and for the Centre. I still enjoy facilitating #tuttle on Friday mornings as part of this.

I’m hoping that I will be presenting a panel at SXSWi next March looking back at the trip some of us did this year under the banner of #tuttle2texas. In any case I am intending to do a similar trip, possibly reversing direction and starting on the West coast of the US. I’m exploring how to turn this into a sustainable way of working to explore any theme, idea or geographical space.

I enjoy performing and working as a musician and singer. While I’ve only sung and accompanied myself for a number of years, I’ve just started playing with a band. I love being part of an ensemble after playing alone for so long although it’s challenging (I don’t get to choose the keys for example!)

I’m enjoying making things for sale out of stuff that I’ve done. The first example of this is my postcards. I want to do more with writing, photography and other drawing that I’ve already created. Not only do I enjoy the initial creative work, but I enjoy the process of turning them into product and taking them to market. This should not be surprising. Markets are, after all, conversations.

And now I remember that this is supposed to be the content of my newsletter. So I leave this post as a tease and suggest you sign up for the list if you want to know more about any of these. First one next week. Promise!

Last tenner

I just broke my last tenner buying stuff for breakfast tomorrow. Hmmm… it wasn’t supposed to still be like this but the truth is that it isn’t a sob story, it’s just the way things are for today and things can change very quickly. [UPDATE: micropatrons & postcard buyers have saved the bacon for now… thankyou! proper update later]

I was reminded of this today when I found myself telling the #tuttle2texas story again, to a bunch of people who knew very little about me or the social web. I talked, as usual, about how I learned to keep asking for help and keep trusting that the right help would turn up. They were primarily gobsmacked that I took the accomplishment of traveling the breadth of the USA, fuelled by social capital so lightly, that I didn’t talk about how proud I am of what we did or speak with more enthusiasm about how amazing it was.

It *was* amazing. Lots of you helped make it that way. I could not have done it without you. But here’s something: I don’t think I’ve acknowledged for myself yet that you might never have done it without me.

Same goes for Tuttle as a whole. It isn’t about me, it never has been, I couldn’t do it on my own. But the people who are interested in the social web in London (and Birmingham, Cornwall, Long Beach etc) probably wouldn’t have otherwise done something quite the same.

That’s one of the insights I’ve been given as a result of asking for Linked-in recommendations. There’s stuff hanging about in this world that wouldn’t be here if I had been around. Good stuff, that people like and value. Not necessarily big stuff, but stuff that’s important to those people whose lives it has touched.

To those who’ve been trying to tell me this for years, I’m sorry, I’m a bit slow to catch up.

And then there’s the invisible stuff. A common thread in some of the recommendations I’ve had this week is the idea that you might not see what it is that I do.

David Jennings says “His craft works so well… that it’s almost invisible – ditto his leadership…”

Johnnie Moore puts it like this: “… one of his finest qualities is his humility and reluctance to show off and put other people in the shadow.” and “He will help make connections and realise the potential of networks and he’ll do it so skilfully that you might not notice him doing it.”

Jo Jacobs uses the ‘c’ word: “His work… has been the catalyst for so many other collaborative ventures and meetings”.

Nathalie McDermott says: “Lloyd… provides the perfect conditions for others to meet, spark off each other and make things happen which is a rare talent.”.

But if you can’t see it (unless you get to know me and look up close), how do you know whether it’s really there? How do you distinguish this from the Emperor’s New Clothes? And if you didn’t pay for it and it went away, how would you know? Would you really miss it? What difference would it really make?

No other earth-shattering insights for now. If you can see something obvious that I can’t, please do point it out.

If you’re reading this you’ve probably dipped in your pockets or helped in some other way already. Thank you. If you’re inclined to do one more thing perhaps you could encourage others to do the same as you did for me.

If you’re just catching up you can find other posts about it here and here.

macro works too

I’ve asked a number of people to write recommendations for me on linked-in – it’s been a(nother) humbling experience to see myself as others see me.

This snip from Dave Briggs has grabbed a few folks’ attention:

“Lloyd has the bravery to make himself and his life an integral part of his work. He literally lives and breathes this stuff. If I had lots of money, I would give a pile of it to Lloyd to just carry on being him. You should, too.”

So if you’ve avoided micropatronage so far because it’s just not big enough, listen to Dave 😉

You can see my linked-in profile here

Outlining Outdesking

#c4cc after another #tuttleI had a short conversation with Oli Barrett on Monday about the Centre for Creative Collaboration and we came up with an idea that Oli called Outdesking. I just thought I’d outline my notes on it here to get some feedback while working it up as a commercial offer.

As they say, pull something out of the hat and see if it hops…

——————————————-

“Outdesking” is like hotdesking but on the outside of an organisation and with an added element of personal development.

What is it?
Take a desk for a day in one of London’s most innovative creative spaces, working alongside its resident “Social Artist”.

Your day will combine some coaching and learning about the use of the social web with exposure to a different work environment and introductions to interesting & creative people.

Who’s it for?
For anyone who needs to:

  • incorporate creativity into their work;
  • learn how to collaborate more effectively; or
  • broaden their network of potential collaborators to new influences.

Also for people who need a blast of inspiration to shake up well-established working patterns or those who need a gentle nudge and encouragement to start making the most of social technologies in their work.

An alternative angle might be to pitch it at companies to pay for people who are taking a redundancy package and could do with some help adjusting to life outside an organisation.

What happens?
Visitors spend the day (or a number of days) with Lloyd Davis, working at the Centre, exploring their particular needs and developing potential practical strategies to achieve their goals. Part of the day will include shadowing Lloyd in whatever he’s doing and being introduced to some of the creative collaborative projects that are housed in the Centre. However, it’s not entirely a day away from work, part of the experience is an introduction to working in a third-space, not the office, not at home – so visitors should bring some work to get on with too.

When can we do it?
Visitors can be accommodated any weekday except Friday given enough notice. Get in touch to discuss your needs whether you’re interested in a one-off day, once-a-week or once-a-month options

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Questions as ever:
Does it hop?
Where does it need more beef?
To whom would you prioritise marketing & sales activity?
How many shekels would you expect to exchange for a day of such riches?
Does the name work?

Plus ca change

“You wouldn’t steal a car, you wouldn’t steal a baby” I spotted this while flicking through @kamintone‘s bound collection of The Melody Maker (Syncopation and Dance Band News) from 1931.

Melody Maker 1931

Note it talks about “Unlawful importation” as well as performance – looks like even possession of copyrighted American arrangements would get you in trouble.

Festival as social object

Bude jazz festival 2010This is the parade band from Bank Holiday Monday in Bude. Marching up Belle Vue past the spot where I had been busking the day before.

An interesting part of attending a small-ish festival in a small-ish town is the way that local people react. My experience of SXSWi in Austin – much bigger affair of course but probably proportionately so – was that I was surprised to find that lots of people weren’t even aware that the festival was going on.

Not so in Bude, I suppose it helps when a band plays loudly around the main streets of the town, followed by ladies waving umbrellas.

The point is, that the festival acts as a mediating point between people. It gives them something to connect about – that might not be positive. I didn’t hear anyone say this, but doubtless there are people muttering about the crazy jazz people and how they should keep the noise down.

My personal experience was that it eased social interactions everywhere. Just carrying my uke around marked me as one of the crowd. Getting up and playing in the street – I busked both of the mornings that I was there – helped this enormously and for the first time, I found my presence not only tolerated but actually welcomed.

The owner of “Sweets and Treats”, the shop you can see above wanted to know all about my ukulele and my playing. He sent his daughter out with bottled water to keep me going and chucked a few quid in the pot himself as well as encouraging me to come and play closer to his shop when I set up a little further down the road on the second day.

I don’t know what was going on in the shop while I was playing, but I imagine that I became a social object to help smooth things between him and his customers, a talking point, a beginning of conversation, no matter how irrelevant to the actual sale of beachballs and suncream – the fact that I was there and could not be ignored was enough to make things easier for him.

And I imagine that the whole festival works like this too. Especially when a parade is going through, people can agree to love it, agree to hate it, or disagree completely, but at least they connect, rather then just walking along in their own little worlds.

Still here :)

I just wanted to let you know how things are going since the last update – many, many lovely people have been in touch and are keeping in touch. I’ve had more calls and messages of support than I could have wished for.

In terms of micropatrons I’ve received £460 in one-off donations and now have £80 in monthly contributions. Everyone ticked the no-publicity box so I won’t go into details. Thanks too to those who’ve bought me lunch 🙂

This meant I was able both to get to Daren’s #openhouse on Friday night and to go down to Bude for a few days of excellent New Orleans Jazz. I got plenty of sunshine, did some busking in the mornings which lifted my spirits and more than paid for the campsite charges.


Steph Gray
sat down with me on Friday and we worked out a plan for tuttleclub.org to give me some thinking space about community projects. We also are looking at a better web presence for Tuttle Consulting.

Still open to offers on practical stuff and interesting things we might do together. You know where I am. I don’t believe one can say thank you too much. So, y’know, thanks again.

Fumes update

Thanks to everyone who’s said “Hi!” on twitter or elsewhere in response to Friday’s plea for halp!

I believe that if you ask for what you need then what you get is what you need. So clearly what I truly need is to know that I have the love, respect and goodwill of my family, friends and peers. That love is what’s of primary importance, everything else is secondary and I know it’s on its way – thank you.

In terms of responses beyond (the most welcome) moral support, I’ve had offers of help from a couple of people by DM to sit and work some things out. Since they chose to contact me privately I’m not going to name them here but thanks to them for that extra effort, we haven’t fixed anything but I’m hoping to meet soon.

I’m meeting someone on Friday to work out what to do with a community site for Tuttle to make joint projects like Tuttle2Texas easier.

The other items on my list from Friday still stand – I’m still open to offers. I know that many people in my primary network are facing similar situations but I’m hopeful that the retweeting and keeping talking about it will help me find the right people.

@cataspanglish wrote a thoughtful response to my post, which helped clarify some stuff for me.

I’ve acquired two new regular micropatrons – one is my good friend @paul_clarke and the other prefers to remain anonymous. That brings the gang up to four – click the links in the sidebar to get in at the ground floor!

I’m hoping to get the first bits of art up for sale here in the next day or so. I’m learning fast on paypal buttons and shopping carts.

I’m upbeat and hopeful. Very much living one day at a time. I have enough for today and although my rent for this month is now late and other bills are looming, I’m pressing on and working hard and having fun. I’d hoped to get down to Bude for the Jazz Festival this weekend for some proper R&R but I don’t have the train fare yet.

I’m saying a lot that this is a scary bit of the road which looks impassable and at which point I have, in the past, done a little u-turn, taken a compromise soul-destroying job, abandoned dreams, gone away and hidden, told myself off for being so silly. I’m not doing that this time (at least not today) because I have come to see that I’m likely to keep returning to this place until I find a way through. Doing a u-turn just postpones the difficult steps forward.

Thanks for listening and watching and cheering me on.

I'm the founder of the Tuttle Club and fascinated by organisation. I enjoy making social art and building communities.