It’s Social Stupid

Jessy watches Hugh draw for JeffreyI had a moment of clarity last week while holding an open space at Online. I hesitate to call it an “ah-ha” moment. It’s more of a “well….duuuhhh!” moment.

Hold Tight!

All organisations have formal systems and informal systems. You know the formal bits because formal usually means explicit – the org structure diagram, job descriptions, line (or matrix) management structures, written policies, mission statements, value statements and vision statements and the group and individual objectives (supposedly) derived from them and the behaviours that go with them – making a request, filling in a form, going to see the right person in facilities management, appraising staff performance, project and programme reporting. They also have formal links with customers, suppliers and other organisations – official channels. This is the bureacracy.

The informal or shadow systems are the links between people that may have nothing to do with their official roles or structures. This shadow organisation arises because the formal systems cannot be efficient or effective outside of certain limits. Ralph Stacey in Strategic Management & Organisational Dynamics (dreadful title – great summary and important critique of the development of modern strategic management) points out that there are two main reasons for bureacratic control failing to produce what it’s supposed to: the adverse human reaction to bureacracy (Yup! as I typed that previous paragraph I shuddered at ever having to be part of one again) leading to alienation, passive dependence, work without significance, deskilling and provocation of undesired or unintended behaviour. In addition, formal systems can’t deal well with ambiguity or uncertainty. So these informal groups, unofficial ways of behaving, doing business through social activities and networking grow up to allow the organisation to operate more effectively and efficiently. Remember too that unlike the formal part of the organisation, the boundaries of the shadow systems are permeable and always changing, making new contacts in “the industry” or “the sector” as and when opportunities arise.

Furthermore, it has been pointed out that the shadow organisation is the place where innovation and creativity are allowed to flourish. You can’t make new stuff effectively within a formal process. Creativity requires messiness, mistakes and flexibility around time. Innovations happen in the informal world – and, from time to time, when they are useful to the formal world, they become systematised and turned into policy or else they remain “the way we do things around here”. Note also that the organisation as a whole is the same bunch of people – just that they move over time between formal and informal modes and activities, however, my experience has been that there are people who feel more at home in the informal systems (cool dudes like me – heh!) and others who spend most of their time formally (tight-arsed pen-pushers – natch!)

Now, what came to me on Monday with a thud was that it’s these informal groups and activities that are supported by “social software” Blogs give people the opportunity to say what they want and talk about it, outside of any established order – just talk about what’s on your mind. Wikis allow for a meritocracy in collaborative documentation and policy/decision making. Social networking tools allow you to find and foster new connections outside of the org chart.

Examples of how this is working are coming thick and fast.

Do you believe that Threshers have mastered a process for viral marketing or was it a Stormhoek snowball kicked down the hill by Hugh?

For intellectual stimulation and working with new ideas there’s no competition between an openspace event and any one of the established panel-based conferences. Online was better this year, but still has some way to go.

Check out the reaction to Microsoft’s Zune player and then see what is coming from an informal, asynchronous conversation between Rojas, Winer and Calacanis have suggested and why Rowica might have more search results someday (or might not) (hey listen to the podcast of these guys chatting). OK, I like Rowica, but it seems it’s now dubbed the RWC Player.

So when we take social software or social media and try to sell it (through formal channels) as a part of the bureacracy – to replace something formal, it’s not surprising that we get asked about ROI and metrics and to prove “what’s in it for me”. And when we just take a risk and start something as an experiment that then just works, these questions get asked less and less.

That’s why I’m excited about the next round of Policy Unplugged social conferences which we’re branding as ‘Uploading’. The starting point for these events is that the tools exist, they are part of the ecosystem and it’s no longer about whether you should adopt them, but how you can best adopt them to get things done. And I would suggest that looking at the informal systems in organisations and within industries are the place to start that conversation.

Well…. duuuuuhhh!!!

Bonus Link: Johnnie is re-reading Patricia Shaw. Good move.

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Dinosaurs and Meteors

dinosaur001.jpg Cartoon by: Hugh MacLeod

Meteor: Hey look at me, I’m new and exciting and add something really useful to what we’re all trying to do here. I let you do the stuff that you’ve always wanted to do.

Dinosaur: You are a dangerous fanatic. Your “innovation” is not new. You can’t do what you’re doing without breaking what we’ve been doing since time immemorial. What you’re suggesting will lead to the end of civilization as we know it.

Meteor: No, you misunderstand, I’m here to help you. You can still do things the way you’ve always done them if you like, but really, these are problems that I’ve heard you moaning about – aren’t you pleased?

Dinosaur: Your “solution” is of no use to me. I cannot see how this helps me. I cannot see how to do your thing and keep doing my thing too. I also have a range of academic and expert evidence to prove my point. I have powerpoint slides too. You are threatening my existence. I have no choice then except to destroy you. I will survive.

Meteor: OK, but I’m still here to help you if you want. When people ask you about it next year and you don’t know what to do, give me a call. I love you Dino.

I’m at Online Information 2006.

Big Bears in Watford

Big Bear Stompers at Watford Pump HouseLast night I took my son up to the Pump House Jazz Club in Watford to hear his Grandad playing. I have been very slack in ensuring that my kids have fully appreciated their musical heritage on my side of the family.

When I was a child every Sunday meant a trip to the Shantasea (later The Jug, now no more) in Albert Street in Central Birmingham to hear Big Syd’s band, a group of local jazzers playing in a mainstream side of traditional style – it’s where I heard many of the standards over and over again, one of which is usually going around in my head. And many Saturdays, especially in the summer, were filled with fetes, marches and shopping centre openings.

Later, Tony joined the New Delta Jazzmen and then the Zenith Hot Stompers for twenty-odd years (I cut some of my first public performance teeth with occasional guest vocals). His description of his current activities is:

“I now play 3rd trumpet in the 11-piece band Harlem, 2nd trumpet in the Big Bear Stompers, 1st (and only) trumpet in Jon Penn’s All-Star Hot Five, lead a ‘Condon-style’ band called Kaminsky Connection and play in ad hoc trios or quartets, usually backing singer Judy Eames.”

and it was with the ‘Frisco style Big Bear Stompers with Judy on vocals that we saw him last night. Another treat was to hear Keith Nicholls outside of a dance band and to see him and Eve no matter how briefly.

I last went to the Pump House about 20 years ago to hear Tony with the Zenith. The club doesn’t seem to have changed at all on the inside (outside a plethora of superstores has sprung up around it) and the crowd of regulars were heartily vocal in their appreciation of the Lu Watters and Turk Murphy offerings.

[bonus: in the bar, tony spotted a rogue apostrophe]

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The Alternate…what?

SOLT launched their ‘blog’ The Alternate yesterday.

OK, I’m still trying to get my head round the strapline “An alternative view of Theatreland from http://www.officiallondontheatre.co.uk” I will give it some time to find it’s feet, but honestly what is alternative about this? What does the title mean?

I’d love to see some posts on what they are trying to do here (beyond the bland about us statement) and how they are going to be different from fan sites or the gossip columns of the freesheets.

I’d like to see something a bit edgier, a bit more backstage and with more imaginative use of media – we’ve been podcasting for 2 years now people – we don’t want (censored) transcriptions of interviews – let’s hear them, or even better, get your camcorder out and let’s see the luvvies! I’d also like to know that this is a community I can be part of, not just another part of the publicity/money extraction machine.

And a full text rss feed. Don’t make me click through, you’re making me work too hard to be your friend.

Most of all – get rid of the registration in order to comment. This says “you can only be my friend if you give me 5p”. This makes me nervous and not really want to play with you or recommend you to my friends.

I can help – you only have to ask.

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Make Your Mark With A Tenner

Can’t be bothered to dig out an exact quote on the amount of cocaine that is alleged to be stuck to banknotes in the circulation, and I don’t know (naturally) how you would go about extracting it, but I think there’s at least a feasibility study to be done on how much you could make from washing out your ten pound notes and then exchanging them for others, then selling the coke.

Drugs and money-laundering (literally) – that’s the kind of stuff people have come to expect here (well at least it makes a change from semi-nudity and knob gags).

I’m sure that the young people who get involved in www.makeyourmarkwithatenner.org (which was launched yesterday by the totally brilliant Oli Barrett) will have more sense, moral fibre and honesty than to follow my hare-brained scheme (and of course kids, it harms other people and it’s illegal so is against the rules)

Oli’s premise, to encourage social entrepreneurship, is to give £10 each to 10,000 young people as a competition to see what good they can do with it, while they are also hopefully making a profit. You can see Oli and Andrew Reynolds (who’s putting up the dosh) in this clip from Working Lunch yesterday (though it will probably disappear from that location soon – grrrrrr! get it on youtube somebody!) [update:Adrian tells me it’s already disappeared, but I just heard from Oli that photos of the launch are on flickr]

The money is being distributed via schools and colleges, so if you’re in that world, go along and have a look. In the meantime, I’d love to hear how *you* would use your tenner for simultaneous good and profit.

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Allowed out in public

It seems it’s my time to go conference bananas this month.

On Saturday 18th I’m doing one of my trademark open space lite sessions at Podcastcon UK which is being held quite inappropriately, I’m sure you’ll agree in an old meat market (it’s actually really nice, I have had a look).

I had hoped to go to VLOG Europe in Milan just for Sunday, but poor planning and bad cashflow management put paid to that (luckily I have alternative activities lined up…)

Then Tuesday 21st I’m speaking at The Data Show at Earls Court on “Getting into the Heads of Customers – how to understand, engage and participate in the online environment… the sphere that belongs to the customer” – personally I find the image of getting into people’s heads somewhat distasteful, but I’ll try to avoid the more unpleasant double-entendres! It’s part of a bigger direct marketing show – here’s the programme, it doesn’t look like there’ll be anyone else talking about this stuff there.

The month closes with Online Information 2006 up at Olympia where I am:

  • running a half-day open space on Monday 27th which I expect to be similar in tone to the one I did at the Blogs & Social Media Forum in May, only longer. If you think any of your clients or colleagues would benefit from talking freely and learning loads about Blogging and Social Media, get them to come along – the more the merrier!
  • moderating a panel on the Wednesday on The Risk & Reward of Social Software.
  • recording some of the sessions (audio, for release only to attendees I’m afraid)
  • running around in between doing my usual Rich Records schtick

Yay!

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Big Knob, Little Knob

little knobbig knobThis lunchtime I had to be home to greet some very nice eastern european workmen who were coming to fix up my letterbox (we’re having a whole revamp of the common areas in Dolphin Sq)

What I didn’t realise was that they were also removing the catch on my cubby-hole (where I put my rubbish to be collected, nightly) and replacing it with a little knob to match the big shiny knob on my front door. I did polish my knob a few weeks ago and it came up spiffingly (though I didn’t get any admiring comments from the neighbours) but now it looks really lacklustre compared to it’s little brother.

So which do you prefer – my big shiny knob or my little shiny knob?

Ars & Elbow

Rosie drew this comment out of me last night on the previous post and even in the cold light of day I thought it worth promoting to the front page:

I think it comes down to a simple premise – that good, lasting, profitable business arises out of good relationships. How do you improve any relationship? You give more and that’s how you get more. As you sow, so shall you reap, if you like (omigod, i can’t believe i’m quoting scripture… on my blog!)

So what I’m saying is that by giving more to the online relationship (making content, telling stories, providing a homely comfortable space, encouraging creativity among the audience, breaking down the barriers between artists and audience) rather than spending their energy on finding more efficient ways to extract money out of people, everybody ends up winning.

Theatres spend an awful lot of money trying to do those things above, but only in a physical space – and the crazy thing is, that it doesn’t cost a huge amount in order to do this stuff online.

Ars gratia populi

larkrise01Last summer I wrote this and it set me on a slow plod to try to get theatres and arts organisations into the blogging and social media space. I pitched to a couple of theatres and sent material to lots more, but It’s never really got enough momentum behind it and there seemed to be a lot of resistance too – not least, worries about interference with the creative process and lack of cash, or more accurately other priorities for the relatively small amount of cash available.

Yesterday, the very lovely Katherine Wood at the Society of London Theatre pointed me in the direction of this report from London Calling. It’s the findings of a survey carried out among a range of arts organisations across the country in June 2006 (actually the same time that Debbie was melting the phones in the Pimlico branch, trying to get us in to speak to theatre comms people).

In addition to the no cash problem (more than two-thirds of respondents have a budget for web development of less than £10k) the survey identifies “no clear grasp of the benefits/opportunities” and the fear that “digital solutions only add to workloads” as lines of resistance to embracing these technologies.

I read the following general strategy into the answers given about the rate at which different technologies are being understood and adopted: “We’ve got to have a website, this is primarily for online ticketing, though we can do some other merchandising and marketing with it too. Then we game the search engines to make sure people come to us. Get their e-mail addresses and spam them” As usual I exaggerate for effect, but it all feels a bit 1997. Thank God most of them haven’t heard of Bluetooth…

The section Engaging with Audiences reveals more about what “engagement” seems to mean in this context. To focus on which technology to use gets it the wrong way round (it’s about people, people!) – but all of the technologies presented are best suited to a mindset of one-way communication – what I see as a narcissistic approach to engagement – see how beautiful and clever I am and you will want to be my friend and then buy my products – rather than saying “I, like you, am a human being, I love making and enjoying art and I see that you do too, let’s talk about how we can work together for mutual benefit – how I can help you and you can help me” That’s what I consider engagement.

There’s lots of work to be done here – it’s part of Web 2.2, of what Nancy has termed “the second wave” and Debbie keeps calling “the post-geek phase”. I’m interested in doing education and experimentation in this area, but most of all shifting the mindset from one-way to two-way – how do you do that? One mind at a time, baby, one mind at a time.

These lastminuteliving diaries for Cabaret and Wicked (there are others too) are a start and so is this rat blog from Soho Theatre but I can’t help feeling they could be so much more engaging (and more easy to find!) and I worry that without the mindset shift, they will be seen to not have worked and therefore be abandoned.

If you’re like those in the survey, 64% of whom said they face no internal resistance and 76% of whom said “No” to the question “Would you say that your website meets all the needs of your audiences at present?” or if you’re working on sites already and want to bounce ideas around about making them better, give me a ring and let’s have a chat about it.

[btw yeah, that’s me at the back of the picture on stage at the Swan Theatre, Worcester in the 1982 production of Lark Rise, directed by John Doyle, and including Adrian Phillips and Rufus Norris in the cast – I have no pictures of Rufus, but there’s one of Adrian on my flickr stream – heh!]

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I'm the founder of the Tuttle Club and fascinated by organisation. I enjoy making social art and building communities.